Washington Post web review of Armonia Nova in Washington Early Music Festival Gala - July 20, 2009.
"In arrangements of Hildegard von Bingen's chants with harpist Constance Whiteside, Marjorie Bunday and Allison Mondel blended their voices in a spellbinding performance of textural simplicity and rhythmic freedom."

Washington Post review of Armonia Nova performing music of Hildegard von Bingen - June 23, 2008.
"...a willingness to use vibrato added lushness to Marjorie Bunday's bright, attractive mezzo..."

Express Milwaukee review of Hesperus in "Shameless Commerce" - March 12, 2008.

Milwaukee Journal Sentinel review of Hesperus in "Shameless Commerce" - March 8, 2008.

Rocky Mountain News review of Denver Bach Society performance of J.S. Bach's Mass in B Minor - October 22, 2007.
"Contributing in fine fashion to Saturday's performance were the vocal soloists: soprano Maureen Sorensson, mezzo Marjorie Bunday...[A]ll of the solos and duets proved effective and often deeply moving (notably Bunday's expressive handling of the Agnus Dei and the heartfelt Christe, sung in duet with Sorensson)."

The Denver Post review of The Baroque Chamber Orchestra of Colorado in "The Glories of Venice" - April 22, 2007.
"Highlighting the first half were three vocal gems by Claudio Monteverdi, two featuring St. John's Schola Cantorum and eight guest vocalists. The latter all proved to be excellent soloists, especially mezzo-soprano Marjorie Bunday and countertenor Robert Sussuma, who paired to stunning effect in the concluding 'Beatus vir.'"

Washington Post review of Woodley Ensemble in "Sacred Kaleidescope" [work referenced for Ms. Bunday is "O Fragile Human" by Christopher Marshall] - May 15, 2006.
"The soloists, soprano Jolene Baxter and mezzo-soprano Marjorie Bunday, handled their assignments beautifully."

Washington Times review of Washington Choral Ensemble performing Zoltan Kodaly "Missa Brevis" and John Rutter "Requiem" - March 19, 2006.
"In both works, the soloists were superb, including...alto Marjorie Bunday..."

Washington Post review of Alexandria Choral Society performing G.F. Handel "Coronation Anthems" and "Dixit Dominus" - November 15, 2004.
"[Artistic director Philip] Cave's soloists, sopranos Janet Coxwell and Sally Dunkley, alto Marjorie Bunday, tenor Ole Haas and bass Francis Steele, were mostly recruited from Magnificat, a baroque vocal ensemble Cave founded in England in 1991. They sang...with finely polished tone and a secure grasp of baroque ornamentation."

Washington Post review of Palestrina Choir (one-on-a-part performance of Orlande de Lassus motets) - October 21, 2004.
"...the wonderful alto Marjorie Bunday..."